Upon the Altar is a blackened death metal band from Tarnow, Poland, delivering what they describe as a pure evil tribute to nineties extreme metal. Their prolific output since 2020 includes the albums Absit ab Ordine Luminis and Profanation's Vapor alongside multiple demos and splits.

Melodic death metal and metalcore band from Southampton, England, active since 2012 with over a decade of experience. Their sound bridges the melodic richness of Scandinavian death metal with the energetic hooks of metalcore.

Groove metal and crossover band from Macclesfield in Cheshire, England, active since 2017. Their sound combines groove metal's rhythmic heaviness with crossover's punk-influenced urgency.

Brutal death metal band from Narbonne in southern France, active since 2023 and delivering punishing extremity from the Languedoc coast. Their sound channels the genre's uncompromising aggression through raw, visceral compositions.

Death and thrash metal band from Wolfsburg, Germany, channeling the crossover intensity of both genres since 2012. Their sound merges thrash metal's velocity with death metal's guttural ferocity, rooted in the aggressive traditions of the German metal scene.

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German black metal project active since 2016 with a prolific output spanning six releases including a split with Panopticon. Their catalog ranges from the early demo A Lesson in Basic Human Empathy through three numbered albums, showcasing steady artistic evolution.

Five-piece deathdoom outfit from Sofia, Bulgaria, formed in the winter of 2012, blending death doom and black metal into crushing atmospheric darkness. Their discography includes a 2017 split LP with Whitehorse released through Berlin's Vendetta Records, mastered by renowned engineer James Plotkin.

Ur Tid is a one-man Swedish black/death metal project by Johan Sjoblom, co-founder of In My Embrace, drawing from the northern 1990s and 2000s Scandinavian scene with influences like Dissection, Immortal, and Satyricon. Their 2020 album Withering Dead Life was limited to 50 copies and explores themes of self-hate and misanthropy, closing with an Alice Cooper cover.