Sabazius has been crafting extraordinarily lengthy drone/doom metal from the seaside city of Brighton since 2008. Named after the Phrygian sky deity, their mammoth compositions can stretch well beyond an hour, pushing drone-doom to its most extreme temporal limits.

An Austrian project whose name translates to "slaughterhouse future," Schlachthaus Zukunft began as an ambient black/industrial metal and drone outfit before evolving toward progressive and black metal territory across albums including "Absolve Domine" (2016), "Broken Chords Of Doom" (2018), and "Down to Heaven" (2020). The project is unsigned and operates entirely independently, resisting easy categorization across its shifting discography.

Sebum XS channel sludge, drone, and doom metal from the Lorraine capital of Nancy, building thick, oppressive compositions from the eastern French city. Active since 2017, they bring excess-sebum heaviness to the Lorraine underground.

Semai began as a black metal project in Jihlava before evolving into noise, drone, and ambient territory, tracing an arc from harsh extremity to abstract sound exploration. This restless transformation reflects an artistic vision that refuses to remain static within any single genre.

Sink evolved from drone/black metal into dark ambient and darkwave territory, tracing a journey from metallic extremity toward atmospheric electronic darkness. Active since 2018, their shifting identity reflects an artist unwilling to remain static.

Sonic Prayer channel drone, doom, and stoner metal from Berlin, building meditative, heavy compositions that transform volume into spiritual experience. Formed in 2019, they bring transcendent heaviness to the capital's vast underground.

Derbyshire's Spore operate in the oppressive depths of doom and drone metal, creating glacially slow, monolithic soundscapes since 2019. Their music prioritizes texture and weight over melody or velocity.

Saint Petersburg's Stanubis merge sludge, drone, and doom metal from the cultural capital since 2016. Their Anubis-referencing name channels the Egyptian jackal-god of embalming into compositions of multi-layered, funereal weight.

Galway's Stonecarver shape doom and drone metal with the patience and precision of a sculptor since 2017. Their west-of-Ireland origins lend an Atlantic bleakness to their monolithic, slowly-evolving compositions.