1349 is a Norwegian black metal band formed in Oslo in 1997, taking their name from the year the Black Death reached Norway. The quartet plays an uncompromising, speed-driven style of black metal indebted to the second-wave Norwegian tradition, releasing their debut Liberation in 2003 on Toten Musik and following it with Hellfire in 2005, which became one of the most ferociously performed black metal albums of that era. They have released eight studio albums in total, including The Infernal Pathway in 2019 and The Wolf and the King in 2024, maintaining a consistently raw and aggressive approach across their career.

A Chance at Life creates depressive black metal from an undisclosed Russian location since 2024. Their desperately hopeful name creates a devastating contrast with the suicidal despair of their DSBM compositions.

A Cold Sun channels depressive black metal from an undisclosed Italian location since 2017. Their name evokes the paradox of a star stripped of its warmth, matching the emotional frigidity and isolated despair at the core of their sound.

A Constant Storm blends melodic death and black metal with progressive, gothic, and folk elements from Porto since 2014. Their tempestuous name captures the relentless creative energy driving their genre-spanning approach from Portugal's northern capital.

A Day of No Sun crafts melodic black metal from Kraków since 2022. Their sunless-day name evokes the smog-shrouded winters of the former Polish capital, channeling atmospheric darkness through melodic sophistication.

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Volos-based A Diadem of Dead Stars craft atmospheric black metal of sweeping emotional depth, weaving melancholic tremolo melodies into vast, immersive soundscapes. Active since 2014, the project evokes the mystical landscapes of Thessaly through contemplative, layered compositions.

A Distant Sun has emanated atmospheric black and doom metal from Dublin since 2006, becoming one of Ireland's more enduring extreme metal projects. Their expansive sound evokes the grey skies and windswept coastlines of the Irish capital, merging vast atmospheric passages with crushing heaviness.

A Dying God merges black metal with grindcore from London since 2013, creating a volatile collision of atmospheric darkness and breakneck speed. Their theological-nihilist name captures the cosmic scale of their sonic devastation.